This is the last of three news articles from the Evening Sentinel (Stoke-on-Trent, England) covering a 1995 revival of the New Vic Theatre’s 1971 original musical documentary, Hands Up! For You the War Is Ended.

See also “Hands Up—For You the War Is Ended!,” “More on the Camp 59 Theatre Subjects,” “Prisoners of Experience,” and “Revived Play ‘the Voice of a Community’.”

Captions for newspaper photos.

Bill Armitt of Scholar Green in captured by Rommel at Fort Mechili in North Africa (top image), and Laura Beckford and Nicola Wainwright as the fortune teller and Gladys Bayley (above left) Neil Hulse, photographer

Jack ‘Jock’ Attrill (above right)

Continue reading →

This is the second of three news articles from the Evening Sentinel (Stoke-on-Trent, England) covering a 1995 revival of the New Vic Theatre’s 1971 original musical documentary, Hands Up! For You the War Is Ended.

See also “Hands Up—For You the War Is Ended!,” “More on the Camp 59 Theatre Subjects,” and “Prisoners of Experience.”

Captions of newspaper photos:

Frank Bayley in uniform in 1940. Sadly, the Hartshill newsagent died a few years after the original production.

Continue reading →

This post offers details on several of the men whose war experiences were the inspiration for the Victoria Theatre 1971 musical documentary “Hands Up—For You the War Is Ended!”

I am grateful to researcher Brian Sims for access to repatriation records for four of these men, who were transferred together from PG 59 to PG 146/22 Vairano in the summer of 1943. The British National Archives records provide the men’s imprisonment timelines and details on their escape to Switzerland.

According to the Victoria Theatre playbill, “The prisoners who took ship from North Africa were taken to various prisoner of war camps. Frank Bayley, Bill Armitt, Tug Wilson, and Jack Ford went to PG 59, (Campo Prigioneri etc) south of Ancona near the east coast, and there they stayed.”

Perhaps it was an oversight that Jock Attrill and Jock Hamilton were not mentioned in this list of transferees from North Africa, as the program later mentions their departure from PG 59:

“Sometime in 1943 volunteers were called for from the POWs in PG 59 to join working parties in the north of Italy. Bill Armitt, Jock Attrill, Frank Bayley and Jock Hamilton were amongst those who went. They were transferred to PG 146 at Laclirago some 15 miles south of Milan on the Lombardy plain and in sight of the Alps.”

When the men later escaped from PG 146, Italian Domenico Lunghi was involved in protecting all four. They later arrived in Switzerland on the same date, April 1, 1944, so it is reasonable to conclude they made the cross-border journey together.

Eric “Tug” Wilson and Jack Ford seem not to have transferred from PG 59 to PG 146 with the others. It is possible that they were transferred later, or they may have remained in Camp 59 until the time of the camp-wide outbreak on September 14, 1943. At any rate, Jack ended up in Germany according to the playbill.

Continue reading →

Frank Bayley and Bill Armitt (at right), with Simon Coady and Colin Starkey, the actors who played them in Hands Up—For You the War Is Ended!

On Tuesday, May 18, 1971 an unusual theatrical production premiered at the Victoria Theatre in Stoke-on-Trent, England. Termed a “musical documentary,” the work was the brainchild of the theatre’s artistic director Peter Cheeseman.

A commentary in Peter Cheeseman’s obituary in The Guardian sheds light on the importance of this and similar works performed at the Victoria Theatre:

“Of the more than 140 productions that Peter directed, it was the 11 musical documentaries voicing the verbatim stories and concerns of the local community that brought the Victoria theatre recognition. From The Jolly Potters (about the history of the Potteries) in 1964 to Fight for Shelton Bar! in 1974 (part of a campaign to save the local steelworks), they were researched by members of the company. Subjects ranged from the English civil war in The Staffordshire Rebels (1965) and local railways in The Knotty (1966) to the audience’s second world war memories in Hands Up! For You the War Is Ended (1971).”

The play was funded by a grant from the Arts Council of Great Britain through its program for the promotion of new drama.

Continue reading →